Tuesday, July 3, 2012
The Defamation of Ms. Hill
Though most of us will never understand her movements, her soul is parallel to those who have chosen to die on their feet rather than live on their knees. Unlike most of us, who prefer a good beat, a good piece of ass, a great weave and a promotion, and we're good, the path she has taken is not for the weak-minded or weak-spirited. Lauryn lives a bipolor existence---on one hand, she is adored like a Goddess---and on the other she is perpetually defamed.
When I heard that little punkass kid from Mindless Behavior tell the most crass joke at the BET Awards regarding Lauryn Hill's tax issues with the IRS and the looming possibility of her serving time for admitting to not filing, I turned off BET, a station I had sworn years ago not to watch.
And though the crowd booed, I couldn't believe how BET kept that rank comment, or the writers even wrote that tasteless piece of bullshit. I know that overly greased kid didn't understand how much he spat on a shoulder that carried him, but for BET to place that jab on a pubescent, greasy haired, overly boyscaped creature was punkass in itself. (Shot out to Beyonce for attempting to correct the wrong.)
Ironically, just a few years ago, BET was begging Lauryn Hill to perform on its stage, as Talib Kweli points out in his ode to Lauryn in "Ms. Hill".
When I heard Lauryn might be incarcerated for past taxes this week, I was floored. It is an eerie reminiscent of something we have seen before. Not talking about Wesley Snipes---though he is rolled into the political, social trappings of articulating humanity on his own terms; I am thinking more about Marcus Garvey, who was jailed and deported for frivolous charges of mail fraud, or Muhammad Ali, who was imprisoned for refusing to fight in Vietnam.
It is disgusting how so many, and let's start with the music industry, revere Lauryn's work like spiritual tomes, yet are mum to come to her aid, or support her. The statement is simple, "Lauryn is right." The industry is a vampire, and subsists on the blood of artists who are sacrificed on stage, in studios, on video shoots, and at contract signings.
For years I defended Lauryn, listened to her music, and never wavered from my steadfast loyalty and support for a black woman who was attempting to be free and live on her own terms under a rubric that simply does not allow folk to grow and evolve.
I held on to my sister, and the legacy she left, that is still light-years ahead of hip hop, pop, and the music industry. Lauryn used her platform to enlighten, empower, and heal; yet she, didn't even understand the depths of the power she flexed and the people she still touches with the soul of her essence.
She went against the Pope. Nuff said. When CNN would not even put a 20 second sound bite that exposed the sex scandal still rocking the Catholic church to the Protestant church, Lauryn sang her revolution at the Vatican.
For the record, Obama would not dare, but he's a politician right, who must move with the savvy of a refined leader. Hmph.
Lauryn represents a mainstream black artist who is damn near extinct. Like Harry Belafonte, Sammy Davis, Jr., Lena Horne, Ossie Davis, Ruby Dee, she took notes from history and used her voice for social issues and Civil Rights.
Unfortunately, she does not have a circle of contemporaries who stand with her, unflinchingly. She has a crew of cowards, who fled when their money was threatened and the threat of them losing favor in the industry began to magnify.
Nonetheless, Lauryn Hill is transparent in a journey we all have to take, in the painful search for love. Evident in an on-and-off again abusive relationship with the father of most, or all of her children, Rohan Marley, Lauryn illuminates that she bleeds like all of us, and does dumb shit.
And while Lauryn looks at the possibility of being jailed and making arrangements for the care of her children, Rohan Marley is planning his third marriage.
We all have questions through the years of Lauryn's silence. Answers we must all have to come up with ourselves. Though I have heard of her struggles with labels, for me, it was much deeper. Her punishment is for the fact that she did not give certain institutions access to her innermost sanctum, her soul.
They did not have access to her children, her relationships, nor her creative process. She, in all her black woman glory, told them what they could listen to, and how they could listen. For that, the only thing they could plug on her was from a past, bitter lover, who once had access to her being.
Rather than explain the complexities of an entangled love affair, of which both sides did dirt, Wyclef Jean did what most immature, jilted ex-lovers do, and in particular when it comes to pointing the finger at the woman, he claimed Lauryn was simply "crazy."
Ahhh, how easy is that. To write someone off as a crazy and insane.
As Dave Chappelle brilliantly pointed out after his hiatus of Hollywood's manipulative, demeaning, and sadistic culture, when they call you crazy it is a "dismissive" tactic that is used to discredit and silence the very credible and intellectually astute articulations of people who were willing to speak out against a machine that has consumed and spit out prophets and activists, and simply good folk who could not be exploited any longer.
And as I watched a cable station I have long abhorred for its narrow content and coonery leanings, I witnessed another blow to a sister who may not be a saint, but definitely is being crucified.
Posted by Eco.Soul.Intellectual at Tuesday, July 03, 2012 3 ish talking intellectuals holla at a sista
Labels: BET, Beyonce, Black Celebrities, IRS, Jail, Lauryn Hill, Mental Health
Wednesday, June 29, 2011
BET & It's Deal With the Devil (Repost Revisted)
People have been bugging with Boyce Watkins' commentary about BET; unfortunately, BET has been on a fast track downhill to hell in gasoline thongs even before Viacom got a hold of it.
BET's Deal With the Devil
Have you noticed the plethora of shitty awards shows lately? Let's take MTV, the Oscars, the Espy, the annual porn awards (uhh maybe not that), and we can go down the list.
But the one that I'm going in on today is my all time favorite failure, BET's annual F-list celebs, cooch fest and fake-thug fuckery known as the BET Awards.
Between the BET Awards, Soul Train Music Awards and the Brandy/Ray J reality show and now the Basketball Wives, I shake my head and think, "What a waste of airtime space."
You know what is scarier, the fact that there aren't any shows starring black folk on television. And I am not talking about "Tiny & Toya" or any Reality TV series, that is just a cheap way for networks to deal with heavy financial losses in the era of Internet while they figure out the next gigantic exploitative financial scheme other than overpriced advertising.
With that said, some people view BET as the only time to watch diversity other than the token black, Latino, or Asian that appears on CSI, House or Grey's Anatomy. Yes, please be afraid.
What has been even more of a squander is BET the network, also known to me as Bullshit Entertainment TV. The only shows carrying that half-ass cable channel are "106 & Park" and the Sunday gospel shows that feature pastors with 1983 gherri curls and thousand dollar suits sweating and preaching religious feel-good lies to half of a congregation living in upper-class poverty.
And my all-time unfavorite, "106 & Park" is a prime environment and training

All you need is a fake east-coast accent like Rocsi (from NOLA) and Terrence (from N. Carolina), a little music, some brand named clothes, and you have at least three teens on your team.
And if I channel surf to this cable station and see the film, Diary of a Mad Black Woman, or a horribly-written homo-erotic Christian-zealous stage play one more time, I'm going to come out of my skin. And if there is another Baby Boy replay, I think me and my mama will get pregnant by Jodie or get ripped from asshole to vagina by one of Ving Rhames' jump-fucking scenes.
With the ongoing financial depression, it has been shown through government documents that the overexpsure of highly-hyped, low-production shows and professional athletics such as FIFA, NBA Finals, Wimbeldon, French Open, the Golf Master's, and the list of other sports, is often used to quell the savage beast of the masses. Check out the baseball frenzy on the radio during the 1920s Depression.
Nevertheless, BET was not always this way. There were actually some pretty good, original shows, news, and black political thought up until the late 1990s. In fact, BET was in many ways, a social-political-and cultural hub for black folk who could not break into a very whitewashed entertainment or news industry.
Once upon a time, being on BET meant something.
Lets not forget, MTV did not to show Michael Jackson's videos when it launched in the 1980s. Back in the day, BET, was all black folks had as far as cable television was concerned.
But let me tell you a little about one of BET's deals with the Devil that has led to its . I remember it well, I was an entertainment reporter then.
I will start with a BET press junket that I went to in the late 90s or early 2000s. Since BET supplied the publication I worked for with lots of entertainment material and advertisement, I was damn near obliged to go. Yup, that's how the press works, the newsroom is always darkened by an advert-man.
Well, I went to this junket and Robert L. Johnson was there to introduce BET's latest channel. The reporters were thinking, "Finally, a political station or one that focused on more than videos." We were so stupid, it was the exact opposite, it turned out to be a soft porn channel with a name I cannot remember.

And that is when the coon came out.
Johnson said something to the fact that BET was about entertainment and if he wanted to do something on entertainment then that was what he would do. Of course he said it with a fuck you tone and a couple of F-bombs to the reporter. It was quite nasty, and I was frankly disgusted.
Here I must mention that Johnson's former wife (who now openly talks about his gazillion affairs and domestic abuse) didn't even let their children watch BET because of its content! Also, I must mention that Johnson was the guy who insinuated Obama to be a common criminal in his support with Clinton back in the presidential campaign.
Okay, now back to the story...
Porn & Hip Hop
Well, the soft-porn venture did not work out well, but something else happened. BET became a breeding ground for the merger of porn and hip-hop.
It was around the 90s when porn companies began to invest heavily in hip-hop. Larry Flint, the owner of Hustler Magazine had experimented with a hip-hop magazine called, Rap Pages, a West-Coast version of The Source.
Though Rap Pages could not mess with The Source, there was something to be said about over-sexualized themes and frequent messages of materialism and consumerism in 1990s rap. Plus there was a trend with the hip-hop video models---most came from the porn world located in NOHO, or North Hollywood, Sherman Oaks, and the Valley right outside of city of the Los Angeles.
Logistically, this was perfect because BET has production sets in Burbank and corporate housing the Valley, not far from porn industry headquarters. In fact, this goes for all of the entertainment industry who often preyed on artists via lots of drugs and freaky sex.
As hip-hop became heavily infused with drugs, strippers, sex, money and murder, the porn industry banked on the destructive lifestyles of artists and their entourages. Plus in black strip clubs, the music of hip-hop and its latest uncut songs became the preferred music of choice.
Simultaneously, hip-hop became BET's bread-and-butter, especially after Donnie Simpson, the former host of Video Soul left. After the failure of the soft-porn station, and the Telecommunications Act of 1996 that loosened content regulations, BET put on a late-night show called "BET Uncut" a video showcase that featured strip-club hip-hop or videos that were sexually explicit.
The most popular video was "Tip Drill" from Nelly, noted for displaying a mansion full of bikini-clad or naked-black women dancing for money.

With hip-hop being bankrolled by the porn-industry, videos and songs that magnified sex, money, drugs, violence, and misogyny were a BET staple. Silently, Bob Johnson who profitted from ill-gotten gains and brought a once politically powerful network to its knees by giving blow jobs better than Superhead to corporatists, sold BET to Viacom in 2003. And the network has been falling ever since.
BET Awarding Who?
And so I shake my head at an awards show that is totally constructed through money and power players about who is the new urban-it person. You know when a black star has fallen from white graces when they appear on BET, a la Kanye West and Chris Brown.
But one thing remains the same in BET that was apparent years ago. Light-skinned folks get all the glory. Copycat Nikki Minja, Wannebe Lauryn Hill in the body of Drake, and the new white token, Justin Timberlake aka Justin Bieber are reifying the bleached side of Black.
Posted by Eco.Soul.Intellectual at Wednesday, June 29, 2011 1 ish talking intellectuals holla at a sista
Labels: BET, Black Culture, Entertainment, Exploitation
Monday, June 28, 2010
BET and its Deal with the Devil
Have you noticed the plethora of shitty awards shows lately? Let's take MTV, the Oscars, the Espy, the annual porn awards (uhh maybe not that), and we can go down the list.
But the one that I'm going in on today is my all time favorite failure, BET's annual F-list celebs, cooch fest and fake-thug fuckery known as the BET Awards.
Between the BET Awards, Soul Train Music Awards and the Brandy/Ray J reality show, I shake my head and think, "What a waste of airtime space."
You know what is scarier, the fact that there aren't any shows starring black folk on television. And I am not talking about "Tiny & Toya" or any Reality TV series, that is just a cheap way for networks to deal with heavy financial losses in the era of Internet while they figure out the next gigantic exploitative financial scheme other than overpriced advertising.
With that said, some people view BET as the only time to watch diversity other than the token black, Latino, or Asian that appears on CSI, House or Grey's Anatomy. Yes, please be afraid.
What has been even more of a squander is BET the network, also known to me as Bullshit Entertainment TV. The only shows carrying that half-ass cable channel are "106 & Park" and the Sunday gospel shows that feature pastors with 1983 gherri curls and thousand dollar suits sweating and preaching religious feel-good lies to half of a congregation living in upper-class poverty.
And my all-time unfavorite, "106 & Park" is a prime environment and training site for pedophiles. You have two hosts in their mid-to-late 30s, playing videos of soon-be-grandfathers such as P-Diddy who is making like his 10th comeback, in crowd full of tweens and hot-booty adolescents who are ready to pop, lock and drop it for the first star to blow them a kiss.
All you need is a fake east-coast accent like Rocsi (from NOLA) and Terrence (from N. Carolina), a little music, some brand named clothes, and you have at least three teens on your team.
And if I pass by station and see the film Diary of a Mad Black Woman, a horribly-written homo-erotic Christian-zealous stage play one more time I'm going to come out of my skin. And if there is another Baby Boy reply, I think me and my mama will get pregnant by Jodie or get ripped from asshole to vagina by one of Ving Rhames' jump-fucking scenes.
With the ongoing financial depression, it has been shown through government documents that the overexpsure of highly-hyped, low-production shows and professional athletics such as FIFA, NBA Finals, Wimbeldon, French Open, the Golf Master's, and the list of other sports, is often used to quell the savage beast of the masses. Check out the baseball frenzy on the radio during the 1920s Depression.
Nevertheless, BET was not always this way. There were actually some pretty good, original shows, news, and black political thought up until the late 1990s. In fact, BET was in many ways, a social-political-and cultural hub for black folk who could not break into a very whitewashed entertainment or news industry.
Once upon a time, being on BET meant something.
Lets not forget, MTV did not to show Michael Jackson's videos when it launched in the 1980s. Back in the day, BET, was all black folks had as far as cable television was concerned.
But let me tell you a little about one of BET's deals with the Devil that has led to its . I remember it well, I was an entertainment reporter then.
I will start with a BET press junket that I went to in the late 90s or early 2000s. Since BET supplied the publication I worked for with lots of entertainment material and advertisement, I was damn near obliged to go. Yup, that's how the press works, the newsroom is always darkened by an advert-man.
Well, I went to this junket and Robert L. Johnson was there to introduce BET's latest channel. The reporters were thinking, "Finally, a political station or one that focused on more than videos." We were so stupid, it was the exact opposite, it turned out to be a soft porn channel with a name I cannot remember.After Johnson gave his warm and fuzzy speech in front of black and white sleazy investors, a black male reporter asked Johnson why he chose a soft-porn station out of all the things he could have launched. Then the reporter added to his inquiry that Johnson alreardy received heavy criticism for cutting socio-cultural political shows and even the news from the already existing BET.
And that is when the coon came out.
Johnson said something to the fact that BET was about entertainment and if he wanted to do something on entertainment then that was what he would do. Of course he said it with a fuck you tone and a couple of F-bombs to the reporter. It was quite nasty, and I was frankly disgusted.
Here I must mention that Johnson's former wife (who now openly talks about his gazillion affairs and domestic abuse) didn't even let their children watch BET because of its content! Also, I must mention that Johnson was the guy who insinuated Obama to be a common criminal in his support with Clinton back in the presidential campaign.
Okay, now back to the story...
Porn & Hip Hop
Well, the soft-porn venture did not work out well, but something else happened. BET became a breeding ground for the merger of porn and hip-hop.
It was around the 90s when porn companies began to invest heavily in hip-hop. Larry Flint, the owner of Hustler Magazine had experimented with a hip-hop magazine called, Rap Pages, a West-Coast version of The Source.
Though Rap Pages could not mess with The Source, there was something to be said about over-sexualized themes and frequent messages of materialism and consumerism in 1990s rap. Plus there was a trend with the hip-hop video models---most came from the porn world located in NOHO, or North Hollywood, Sherman Oaks, and the Valley right outside of city of the Los Angeles.
Logistically, this was perfect because BET has production sets in Burbank and corporate housing the Valley, not far from porn industry headquarters. In fact, this goes for all of the entertainment industry who often preyed on artists via lots of drugs and freaky sex.
As hip-hop became heavily infused with drugs, strippers, sex, money and murder, the porn industry banked on the destructive lifestyles of artists and their entourages. Plus in black strip clubs, the music of hip-hop and its latest uncut songs became the preferred music of choice.
Simultaneously, hip-hop became BET's bread-and-butter, especially after Donnie Simpson, the former host of Video Soul left. After the failure of the soft-porn station, and the Telecommunications Act of 1996 that loosened content regulations, BET put on a late-night show called "BET Uncut" a video showcase that featured strip-club hip-hop or videos that were sexually explicit.
The most popular video was "Tip Drill" from Nelly, noted for displaying a mansion full of bikini-clad or naked-black women dancing for money.

With hip-hop being bankrolled by the porn-industry, videos and songs that magnified sex, money, drugs, violence, and misogyny were a BET staple. Silently, Bob Johnson who profitted from ill-gotten gains and brought a once politically powerful network to its knees by giving blow jobs better than Superhead to corporatists, sold BET to Viacom in 2003. And the network has been falling ever since.
BET Awarding Who?
And so I shake my head at an awards show that is totally constructed through money and power players about who is the new urban-it person. You know when a black star has fallen from white graces when they appear on BET, a la Kanye West and Chris Brown.
But one thing remains the same in BET that was apparent years ago. Light-skinned folks get all the glory. Copycat Nikki Minja, Wannebe Lauryn Hill in the body of Drake, and the new white token, Justin Timberlake aka Justin Bieber are reifying the bleached side of Black.
Posted by Eco.Soul.Intellectual at Monday, June 28, 2010 1 ish talking intellectuals holla at a sista
Labels: BET
Friday, August 7, 2009
Coon Reality TV Roll Call
Since reality television hit the airwaves there has been a formula that all shows follow from the days of MTV’s “The Real World.” The recipe is that the producers select and place people on the show they know will clash. In the United States, most of the social conflict revolves around race and sexuality.
If you have ever seen “The Real World,” there will always be an ignorant white person from the country, or a suburban white who has never been around anybody, but white folk. Then you have the savvy white liberal from a city that is so culturally diverse to represent the “real” America. Also, there is a sexually confused person and a gay or lesbian soul that usually acts out-of-the-box and ends up in a confrontation with an ultra-Right wing Christian from Texas. Finally, you have the urban, angry black man, and the ghetto fabulous chick that often clashes with white rural housemate. In the end, usually the white liberal saves the day and they all walk away singing “We Shall Overcome.”
In recent years, cable television stations such as VH1 saw the profits of using a controversial black person, or a mostly black cast that totally acts like the most ignorant set of coons you’d ever met. Before the ultimate black set-back, “Flavor of Love,” came on, VH1’s reality shows were experiencing low ratings, but the former rapper turned TV phenomenon, Flavor Flav, took advantage of the short-lived fame of displaying some of the most historically negative stereotypical black behavior across the world.
Flavor Flav opened up the floodgates of a downpour of ig’nant black reality TV shows. There is only one show that attempts to capture a “normal” black family and that is “Run’s House” a series around the family of former hip-hop pioneer “Run” of Run DMC.
Now of course the normalcy that is supposedly depicted is quite interesting, especially when you have a family living in one of the richest counties in New Jersey and flipping their family enterprises into a slew of businesses (ie Pastry shoes and Brown Sugar Jewelry) due to daddy’s and his brother’s (Russell Simmons) long list of industry connections.
But with that said, I see folk eating this show up, especially black youth who marvel at how Rev. Run gives his children whatever their hearts desire and has this calm and level-headed approach toward discipline—even after his oldest son was busted for buying marijuana. It is like the “Cosby Show” with a hip-hop twist. Can I throw up? However, in France the show is titled something like “Ghetto Pastor”.
But you and I know, in most houses, that would not be the case. Not only would JoJo have gotten a beat-down by his mother and father, but he would’ve been shamed by being dragged to testify in front of Rev. Run’s church. Oh, but you know what? I don’t think Run has a church at all.
In spite of “Run’s House,” today there is a list of reality TV shows or RTV characters that put the late 19th Century and early 20th Century Black Face minstrel shows and Stepin’ Fetchit performers to shame.
American TV is doing the same thing that the music industry did to mainstream, black hip-hop artists. It monopolizes the genre and creates a caricature of black folk that has the rest of the world thinking that all African-Americans, especially those of the urban areas, think, act, and behave the same trifling way. Oh, except for Barack Obama, and my best buddy, Henry Louis Gates, Jr.
Another issue I have with RTV, and this is for all people that participate, the participants are recycled like Hollywood celebs recycle old puss and nuts, swapping the same spit and herpes with each other.
This proves my theory that Hollywood finds a pool of “actors” to exploit, uses them up then throws them away. They are usually the cheap former porn stars that would do anything to get in front of the camera, agree to any contract term, and are paid peanuts to display buffoonery.
Anyway, I’ve put together my Top 10 List of Coon Black Reality TV that kills black media representation anyway you see it. And if you look, these shows are all owned by the same network, Viacom, a media multi-mega-corporation that owns MTV, VH1, BET, and a host of other media outlets.10. College Hill
This show is taped by the now white owned (Viacom), Black Entertainment Television who has had a notorious history for choosing programming that dumbs-down black viewers and black TV representation. Since the founder and former CEO, Robert Johnson (who I might add is from Mississippi) arrogantly told a group of black journalists that BET would stay good and ignorant it has been consistent. Well, he quite did not put it that way, but about 10 years back he responded to a group of black journalists who were questioning about the quality of BET’s shows that he consciously eliminated shows that made one think for shit like “BET Uncut” because it was an entertainment channel.
Anyway, this RTV show follows the day-to-day lives of black college students who attend historically black universities. It is similar to the “Real World,” but with a supposedly African-American angle. Between the smack downs and failed relationships that usually depict a young black woman who is twisted her neck and a bi-curious Atlanta male acting about as straight as RuPaul not in drag they all speak, they never show them in class. This show puts “Different World” on its back and encourages enrollment drops at HBCUs. I heard from somewhere, one of the participants was selling body oils on a NY subway. So sad.
9. Terrell Owens Show
This show is based on former NFLer (who I personally think is trying to get back into the league) living life after a “high-profile” professional athletic career. The cover of the advertisements in the U.S. has Terrell Owens, aka T.O, photographed nude in a pose made famous by “The Thinker” statue by Auguste Rodin. Ironically, he does anything but think, he says the stupidest shit, plus he has two African-American females that supplement the dumb comments. His agent and publicist (Monique and Kita) are the head bobbling, neck-snapping divas who must school Terrell Owens on black womanhood since exclusively dates white women.
I looked at this dud-for-a-show for about 3 minutes and laughed when one of ladies were telling them about a black woman’s hair. Now, you’ve seen Terrell’s complexion, uhm, he came straight from a black woman and man, so he knows about a black woman. And he’s from Alabama or Arkansas, so not only does he know a black woman. This “I’m not familiar with black women” is so Charles Barkley. Between T.O.’s crazy antics for an audience and stupid comments, this is such a waste of precious airtime. Of course this is on none other than, VH1.
8. Tiny and Toya The levees done came and washed away the sense of Toya, and her "best friend," Tiny, who got jacked up by plastic surgery. I hope someone told her she looks like a deformed creature.
This show centers former R&B group singer, Tameka “Tiny” Coddles and the teen ex-wife of Lil Wayne, Antonia “Toya” Carter who might I say got pregnant at 12-years-old. These two women try to find their sense of purpose (I guess this is the plot) as they maneuver through life facing challenges.
“Tiny” whose plastic surgery makes her look like a mutated pig-dog mixture (check out her lips, they look like a character from that old puppet show “The PJs”), is trying to get her umpf back once her baby-daddy, rapper T.I.P goes to jail for a year on gun charges. And “Toya” a pre-teen mother, who never had a childhood, is still trying to cope with her failed marriage to rapper Lil’ Wayne (Wayne Carter) as she chases her drug-addicted mother back-and-forth from New Orleans and Atlanta.
I have so much to say about these two that I know others can say more eloquently, but let me just ask you guys out there in virtual world, WTF do these chicks do? When I see these women, I just shake my head and say, “My sisters, my sisters.” Oh yes, this is a BET show.7. Charm School 1
This show of a mostly black cast was designed to take the most uncouth characters from “Flavor of Love 1” and turn them into cultured and respectable women. NOT. I’m not gonna lie, I saw it from beginning to end, and I was really pushing for the winner, Saaphyri who is currently serving a sentence of fraud and lying about her identity.
6. Real Chance at Love
Losers and down-low gentlemen, Chance and Real were once dueling brothers who were contenders in the “I Love New York” show but did not get picked. Now they are seeking their true love with strippers, porn stars, broke down video chicks and low-budget escorts.
5. Real Housewives of Atlanta, 1 & 2
Now this show I have a true beef. How the hell you supposedly are featuring a show of wealthy, married women who have nothing to do all day, but spend their husbands money, but half of them are married? Plus, I do not think one of them, "NeNe" is in a fake marriage.
This show perpetuates the gold-digger caricature and the lonely and undesirable black woman. On top of that, you never see as much back-biting between black women that is really perpetuates the myth that black women do not have healthy and genuine sisterhood. Plus, what’s up with many of the men in here being eyeball rolling queens. It stereotypes gay, black males horribly as well.
4. Frankie and Neffe Show
A spinoff of the “Keisha Cole” show, Frankie and Neffe are trying to live their lives without being supported by are their daughter/ sister, R&B singer Keisha Cole. Damn, they sure do make Oakland look bad. First of all, Frankie is still an addict, and Neffe keep having baby-daddies and cursing out everyone, this is the shit that pulls my hair out. People, we are all not like that. Trust me when I say that. Well, it has been reported that Keisha Cole has become so embarrassed by the previous RTV show, that she refused to do another season, and “Frankie and Neffe” in need a paycheck to support their hood Atlanta status are getting it in, in front of the camera. BET does it again.
3. The Keisha Cole Show 1 & 2
OMG, when I saw this show I was almost in tears. From Keisha Cole trying to figure out who her father is, to her sister Neffe cursing out her ex-husband and baby-daddy, to Frankie acting like the crack-head character in Mo’ Betta Blues, this show is a black American tragedy from beginning to end. Oh yeah, this is a BET classic.
2. I Love New York 1 & 2
What can I say? I am still not convinced that Tiffany “New York” Pollard is from New York, nor do I believe she is biologically a female. This show was about a woman who was turned down in a previous dating competition by the eligible bachelor “Flavor” of rap group Public Enemy. Her outta control behavior and drama-filled, ghetto-fabulous ways won her a show that got the highest ratings for any premier show on VH1. By the second season, I was vomiting in my mouth.
1. Flavor of Love 1, 2. 3
This show re-introduced the world to Black Face at its best, along with the 2¢ pole dancers and white trailor trash who all got better boob jobs from their paychecks. VH1’s gold mine.
Honorable Mentions: Harlem Heights, Baldwin Hills, For the Love of Ray J---yuck, yuck, and more yuck.
Posted by Eco.Soul.Intellectual at Friday, August 07, 2009 1 ish talking intellectuals holla at a sista
Labels: BET, Buffoonery, College Hill, Coon, Flavor of Love, Neffe and Frankie, Real Chance at Love, Reality TV, Terrell Owens Show, VH1, Viacom